#metadata

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Backing up Spotify - Anna’s Blog

https://annas-archive.li/blog/backing-up-spotify.html
We backed up Spotify (metadata and music files). It’s distributed in bulk torrents (~300TB), grouped by popularity. This release includes the largest publicly available music metadata database with 256 million tracks and 186 million unique ISRCs. It’s the world’s first “preservation archive” for music which is fully open (meaning it can easily be mirrored by anyone with enough disk space), with 86 million music files, representing around 99.6% of listens.

Archivists' Toolkit | For archivists by archivists

http://www.archiviststoolkit.org/
The Archivists’ Toolkit™, or the AT, is the first open source archival data management system to provide broad, integrated support for the management of archives. It is intended for a wide range of archival repositories. The main goals of the AT are to support archival processing and production of access instruments, promote data standardization, promote efficiency, and lower training costs

Archivists' Toolkit | For archivists by archivists

http://www.archiviststoolkit.org
The Archivists’ Toolkit™, or the AT, is the first open source archival data management system to provide broad, integrated support for the management of archives. It is intended for a wide range of archival repositories. The main goals of the AT are to support archival processing and production of access instruments, promote data standardization, promote efficiency, and lower training costs

Do Tags Work?

http://www.tekka.net/10/tags.html
If you can get past the rambling paragraphs of awkward fun-poking at tags interspersed with library science / web 2.0 / cultural references—as well as a discovery of what, you know, Flickr is all about—there's a well-embellished and obsessively-assembled statistical analysis of tags vs title vs notes in finding photos featuring tourist heel-spinning on the testicles of a bull mosaic in Milan. My impression is that she's missed the point of tags, but I'm having trouble reducing the impression to a critique.