The Lost Joy of Music Piracy: WhatCD, Oink, and Spotify | Pigeons and Planes

At its core, What.CD was much more than a torrent tracker—it was a community of dedicated music fans volunteering their time, effort, and knowledge to create a labor of love. While the internet has opened up new doors for musicians, the increasing corporatization and algorithmic takeover of online spaces has done irreparable damage to organic music discovery and independent communities. Rather than bringing about the financial stability that was supposedly impeded by piracy, the recording industry has offered meager artist payouts and a product with a sterilized user interface. Nearly ten years since their unexpected goodbye, the magical feeling of logging in to What.CD has yet to be replicated by any streaming service. Though my days of stealing music are well in the past, it’s clear that musicians are still being stolen from.